SALVADOR DALI
THE DREAM IS CLOSE
From the first exhibition of 1954, the Royal Palace proposes a major meeting with Salvador Dali , undisputed genius of creativity, freelance artist, unconditional, extravagant and romantic, the protagonist of himself, histrionic thinker, a conservative, a lover of the past but attentive to the changes of his age.
The exhibition is a collaboration between the City of Milan and Fundaciò Gala-Salvador Dalí in Figueres . It also relies on loans from major international museums such as the Dali Museum in St. Petersburg (Florida), the Museum Boijmans Van Beuningen of Rotterdam and the Museo Nacional Reina Sofia in Madrid .
"... so prolific is the source of the paranoid visions." "I am not a fool." So wrote Salvador Dali, imaginative and surreal to the paradox that in itself was looking eyes that could see the world in a quest without end, against the passage of time with his abstractions and his watches fluids, where the dream is possible reality that illuminates the dark sides of our being. Make free thought, let your imagination exceeds the appearances. Look for a form, a style that expresses the ghosts of our solitude and our mind. Apocalyptic style, according Vincenzo Trione that anticipates catastrophes of our time: deserts, desolate expanses, disproportions and illusions, visions and perspectives enigmatic alienating. Uncertainty is perhaps the word that best expresses these strangely surreal but anxious to day and insanely beautiful. A universe that captures the vague disorientation that bare the unconscious and nearly every limit of human perception. The art free from conditioning, is the strumento che consente di esprimere i lati oscuri della nostra mente, che “da firma ai processi mentali” , che scava nel tempo delle nostre vite che scopre le perversioni e le debolezze, “la morte degli affetti”, “l’eccitazione per i dolori e le mutilazioni” . Dalì cerca di dare corpo alle emozioni e ai disagi organizzando in un disegno razionale la sfera dell’inconscio. Le porzioni di paesaggio rappresentano un palcoscenico surreale che accoglie una dimensione fluttuante, priva di centro. Dalì fa spesso riferimento ad un lembo di terra dalla natura arida e desertica al confine con la Francia: la piana dell’Ampurdàn, a place dear and familiar with the Bay of Cadaqués. "in this vantage point, the real and the sublime almost touching" . The painting is a mirror of emotions translated into signs, is the instrument which expresses the morphology of our psyche. Hallucinations that populate the desert landscapes of clear identification, "straight or serpentine landscapes that make up the tough, beautiful soul reflections of the properties closed in the earth" (SD). "Mornings are gay and wild, fiercely analytical and constructed, the evenings are softly melancholic, and olive trees (...) become still and gray. The thrill of the morning wake-up small waves in the sea bright; at night the water becomes still as a lake and that reflects the drama of early dusk. " "I feel most at home here in this place ... I participate in the cosmic rhythm of a drive. My spirit is in harmony with the sea, trees, insects, plants, and by that I reach a real balance, which is reflected in my paintings "(S. Dali). A fullness of correspondence with the landscape, a static mind ready to embrace change, bathed in a surreal and infinite light. Dali is a visionary non-existent logical order expressed through visions of a surreal naturalism and complex language meaningless where the landscape is not the place of architecture that the promise of a new classic to life with freedom for you to heal the defective appearance of the new century. Beauty is the violence of balance, harmony of concerns expressed between solemnity and evanescence, balance and chaos in the absence of narrative logic in emphasis of a bright cloudy.
Written by Antonella Colaninno
SALVADOR DALI '
The dream approaches
by Vincenzo Trione
Milan, Palazzo Reale
from September 22, 2010 , at 30 gennaio2011
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