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PRIZE FURLA 2011

The Premio Furla curated by Chiara Bertola , is an Italian competition for young people to support creativity artists in contemporary art and fashion design. Born in 2000 in collaboration between Stampalia Onlus Fondazione Querini Venice Foundation Furla Bologna Foundation Carisbo and MAMbo , Museo d'Arte Contemporanea di Bologna, reaches the its eighth edition. An operating system that involves artists, curators, critics and museums, supporting projects of the five finalists this year are housed in the splendid setting of Palazzo Pepoli. "The prize now stands as a milestone for the comparison with other countries by many Italian artists, thanks to the ability of its organizers to set up an institutional network of contacts with art critics, curators, museum directors and art centers of international prestige. " A project wide-ranging interaction between creativity and territory, by promoting contemporary Italian culture in its various expressions. Among the finalists: Alis / Filliol, Francesco Arena, Rossella Biscotti, Matthew Rubbi, Marinella Senatore . Alis / Filliol alias Andrea Respino (Cuneo, 1976) and David Gennarino (Turin, 1979) have been working on an artistic mark on two of their artistic research on a change of perspective that leads them to work from ' inside of the sculpture. They talk about the idea of \u200b\u200bde-finish of the social body of work that sculpts the economic time, observing the characteristics of the sculpture "movements of production and exchange of goods" in the relationship of the individual with the "social landscape". ; Francesco Arena (Brindisi, 1978) creates his work in accordance schemi stilistici vicini all’Arte Povera, cercando all’interno dell’apparente impersonalità del linguaggio visivo la memoria di una storia personale o di una vicenda storica collettiva. Ciò che emerge non è solo il valore reale e narrante di un oggetto ma l’idea astratta di un concetto di tempo e di spazio relativo alla stessa storicità degli oggetti, come i volumi e le distanze. Per questo, le sue opere concettualmente attraversano tutta l’Italia da sud a nord ripercorrendo i fatti di cronaca che hanno segnato i luoghi e le persone trasformandone i destini e creando dei miti. Rossella Biscotti (Bari, 1978) riflette sul valore performativo della memoria e del monumento e sull’importanza di “un’estetica relazionale” dello spazio della memoria stessa, considerando “la conversazione come un momento in cui la storia, personale e collettiva, viene condivisa tra due persone”. Matteo Rubbi (Bergamo, 1980) interviene sulla centralità dell’individuo nei processi di “riflessione sociale”. Nelle sue “azioni collettive”, il pubblico rappresenta l’attore sociale della performance dove luoghi anonimi diventano gli spazi comuni della collettività. L’incontro tra spazio e soggetto svolge una ricerca sul valore della singola identità rispetto a quella collettiva e solleva una riflessione sui significati di una dimensione umana “da riconquistare e da costruire”. Marinella Senatore (Salerno, 1977) indirizza la sua riflessione artistica sul concetto partecipativo dell’arte (al punto da coinvolgere per le sue performance un numero di 1200 persone), come valore di aggregazione che risveglia la coscienza sociale, l’idea di appartenenza nella comune condivisione dello spazio. La dimensione pubblica diventa spazio fisico e partecipativo e luogo di interazione di esperienze visive ed umane.


Antonella Colaninno



Comitato scientifico
Chiara Bertola, Giacinto Di Pietrantonio, Gianfranco Maraniello, Viktor Misiano.
In collaboration with
Arte Fiera, Bologna

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And for the World Day of slow ... I run to pick apples ... naturally stencil! "

Ops looks a bit 'what was installed under my tent!

A few slices of apple and pear, very nearly the pick, better not, cost me a bit 'hard to lie to make a stencil, but the area required to recover this position .

A French door in the kitchen a bit 'damaged in some places (unfortunately for me ... in the lower part) think that you think back, brushes in hand, a bit' di primer come base, un fondo bianco e ….un po’ di frutta a stencil, il tutto eseguito mooolto lentamente, per festeggiare degnamente questa giornata , ma d'altronde quando ci occupiamo del nostro hobby….è sempre il 28 febbraio!

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eternal presence of Pedro Salinas

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Mactch Me And My Partner

So are you there? Straight dall'attimo still ajar?
The network had only one hole, and you from there?
There is no end to my astonishment, my silence. Play

beats me how strong is your heart.


Wisla Szymborska

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met Raffaele Licinio AUTHOR: Medieval Castle. Puglia and Basilicata: FREDERICK II AND THE NORMANS TO CARLO ID'ANGIO '.

Wednesday, March 2, 2011, at 18:00, at the North Wing of the Palazzo De Mari in Acquaviva delle Fonti present volume Medieval Castle. Puglia and Basilicata: FREDERICK II AND THE NORMANS TO CARLO ID'ANGIO '. (Edizioni Characters Furniture, 2010).

revisit together author Raffaele Licinio, professor of Medieval History at the Faculty of Humanities of the University of Aldo Moro Bari, the phases of battlements that have affected the South during the late Middle Ages in an international perspective. A phenomenon in progress before its time, which involved a multifaceted dall'interculturalità territory.

A book that offers food for thought in light of the debate on the value of integration, the idea of \u200b\u200bterritory, with its geopolitical issues, economic and bureaucratic, in a 'heavy loss of identity in Italy.

medieval castles. Puglia and Basilicata: from Norman to Frederick II and Charles I of Anjou (movable type editions) is the first in a series entitled Questions of History, directed by Raffaele Licinio and Francesco Violante with an authoritative presentation of Joshua Musca. A volume of historical research on the castle system that affected southern Italy during the Middle Ages to regain the historical dimension of events from the cliché of a false mythology castle.

The history of the fortifications is the witness of the gradual unfolding of historical evolution in which there was a cultural and political change that characterizes the structure of a new company. The fortifications are a symbol of an anthropological value that contains a thought economic, political and religious. A system of power which engages in the development of an identity that is built on a feudal system and the growing power of a church with the Latin clergy. The late medieval fortification in the South plays a strategic and political control of the territory, a real form of government and management of highly centralized feudal society. A place where the multifunctional defensive needs are combined with those of population and agricultural use. The military function of battlements defended the agricultural economy of the territory, "The securitatis quies" factor is strong acceleration of "facere castles.

But when and why and who created the castles were the castle? There was a real castle bureaucracy? The fortification is historically associated with the crisis of Byzantine rule and the subsequent Norman. With Roger II meet in one kingdom all the Norman conquest of southern Italy, the fortification becomes a system of political control and strengthening of the monarchy, by Frederick II, will be the instrument of a highly centralized power. The fortification is a process that comes with military and defensive purposes but represents a phenomenon of regional planning, management of its population and its agricultural colonization of the Byzantine logic of battlements responded to the needs of defense and promotion of productive land and their people. By Norman fortification affirming the idea of \u200b\u200bcentralizing power antiurbano that reprimerà autonomist pressures cities. Along these lines, will continue the Swabian castle building in Castel Del Monte is the symbol of this ideology of power. With the Angevin Charles I and Charles II will maintain the tradition of Norman and Swabian castles and strengthen the structures on the defense plan. The United Angevin is a feudal state that structures with less rigorous relations between central and peripheral governments, including the king and barons Ultramontanes who want to make their own fiefdoms a territory reserved. The central government of Frederick II will become a feudal monarchy and will be broken up between the French barons who built their own fiefdoms in strengthening the system further fortifications defensive castle.

Written by Antonella Colaninno

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Strasbourg on tile

Ed ecco come con la sua prima tegola (tra l'altro  molto bella, brava!!!), la mia amica Grace  descrive il viaggio nella sua città natale, emozioni che ha voluto immortalare su questa tegola da fiaba...

"The Streets of Strasbourg are a succession of typical Alsatian half-timbered houses, which have given me charm and nostalgia.

I walked those streets with the memory of a time lived with a child's eyes.
To my dear friend Lilian with a smile I said I felt like an immigrant who was returning home after several years. "

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ANY CASE THE HEAVENS ARE THE SAME

The heavens are the same.
Blues, grays, blacks, are repeated over

orange or stone:
They cancel the stars are so distant

distances in the world. If we want
join
never look ahead:
full of deep,
of dates and alloys.

abandoned and floating on the sea or on the grass,
still, face to the sky. You'll feel

slow decline, upward air
in life.
And we'll meet beyond the differences

invincible, sand, rocks
, years, only now,
swimmers celestial
survivors of heaven.

Pedro Salinas

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About Time

I
TIME

Antonia Pozzi

While you sleep

the seasons pass on the mountain.

The snow at the top gives
drooping
life in the wind
the lawn behind the house talking, drinking

light footsteps of rain on the trails. While you sleep


years of sun pass between the tops of the larches

and clouds.

II

I can gather the lilies of the valley while you sleep

because I know where they grow.

And my real home with its gates and its stones
is away, I
or more venues, but

go wandering through the woods
eternally -
while you sleep and

lilies grow unabated.

May 28, 1935

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Hello,
remember that the text chosen for the next meeting is to Benedetta Tobagi, 'How strong is your heart beats me', published by Einaudi, 2009. Kiss and good week, Corinna

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FREEDOM 'NOT' AN AREA FREE FROM THE HEART OF STONE

Freedom

Giorgio Gaber (1972)

I want to be free, free like a man.
I want to be free as a man.

As a man who was born just before and just
nature walks in the woods with the joy of chasing adventure,
always free and alive, makes love like an animal, like a man unconscious
welcomed personal freedom.

Freedom is not a star above albero,
non è neanche il volo di un moscone,
la libertà non è uno spazio libero,
libertà è partecipazione.

Vorrei essere libero, libero come un uomo.
Come un uomo che ha bisogno di spaziare con la propria fantasia
e che trova questo spazio solamente nella sua democrazia,
che ha il diritto di votare e che passa la sua vita a delegare
e nel farsi comandare ha trovato la sua nuova libertà.

La libertà non è star sopra un albero,
non è neanche avere un’opinione,
la libertà non è uno spazio libero,
libertà è partecipazione.

La libertà non è star sopra un albero,
Nor is the flight of a fly,
freedom is not free space,
freedom is participation.

I want to be free, free like a man. As humans evolved more
that rises with their intelligence
that defies the nature of science with the power unchallenged,
with him the enthusiasm of unlimited space in the cosmos
and convinced that the power of thought is the only freedom.

Freedom is not star on a tree,
is not even a gesture or an invention,
freedom is not free space,
Freedom is participation.

Freedom is not above star a tree,
is not even the flight of a fly,
freedom is not free space,
Freedom is participation.

From "Dialogue between a busy and do not know"

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IZA

slowly I started to love Iza hearted. I cried for
Iza precisely because it is of stone, steel, ice. Iza
not moved. Iza
organizes everything. Iza
not ever fold.
How can you feel sympathy for such a character? Let alone love him.
Yet it happened to me this strange thing in this strange time in my life. I still believe deeply
che i cuori di pietra siano quelli più bisognosi d'amore.

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Giorgio Gaber - Freedom

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sheets to create and smile with the children ...

time ago, in a pages of the blog titled "A smile for them," I briefly described my experience as a volunteer at the Pediatric Hospital.

At that time I have not talked about the activities which are offered to children a little 'bigger, which reflect its decoupage.

You have no idea how to have fun to make, all together, something that will bring the end of their stay at home and maybe give her friend's heart, or keep as a souvenir, a little frame, a plate , a glass, choosing the subject themselves, and then cut and paste after giving a small base color.

During these hours are spent working out with their fears, sometimes the situations are not always happy even outside the hospital, especially when it comes to children who come from far away but are also times which does not take much to trigger a laugh and we all know how this can help to heal ...

LAUGH NOT 'JUST CONTAGIOUS, BUT IT' EVEN THE BEST MEDICINE (Patch Adams )

http: / / www.youtube.com/watch?v=iqN6Goswab0

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EUTHANASIA OF A COUNTRY

Moni Ovadia


L'Italia democratica nacque su un patto costituzionale fondativo di un'alleanza. Alleanza fra i ceti sociali per garantire libertà, giustizia e uguaglianza a tutti i cittadini di ogni condizione e stato, alleanza per progettare il futuro tramite la collaborazione e il rispetto fra le generazioni, alleanza fra donne e uomini per istituire una nuova modalità di relazioni fra i generi, non più basata sul predominio maschile per la sottomissione del ruolo femminile, ma con un'idea di pari dignità, di pari accesso al lavoro, alla conoscenza, al governo della cosa pubblica nel quadro della valorizzazione delle specificità. Alleanza fra impresa e lavoro per riconoscere al lavoratore il suo ruolo di cittadino e di motore nella costruzione di una democrazia compiuta. La destra berlusconiana ha infranto il patto e spazzato via il concetto stesso di alleanza. Non poteva essere altrimenti visto che ha introdotto nel tessuto del sistema democratico italiano il virus del capo carismatico, del signore feudale che ha ragione per statuto e definizione. Il lettore ci avrà ovviamente fatto caso. Non una sola volta il Cavaliere ha fatto un'ammissione di errore o di colpa, non compare il termine autocritica. La parola dialogo per lui ha un solo significato: parliamo per stabilire che io ho ragione e gli oppositori torto. Disponendo egli di una ricchezza and an immense communicative power without checks, he made the government of the prince his only reference. His conception of politics does not provide any deal, let alone a true alliance that is not based on blind faith and stubborn loyalty to his person. The behavior of her courtiers it is clear evidence. No democratic pact is possible as long as it affects politics, who pretends not to understand is complicit in his actions.

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SISTERS FROM PROSTITUTES TO THE WOMEN WANT TO SEE THE VIDEO

February 14, 2011

Only women have shown courage and abroad that could not see. It is the power of dignity - of the woman and the person - written in the Constitution. Transverse coherent, angry, tired to be humiliated by power: we have shown that we "do politics" (and communicate) better than lorsignori

Women have not only manifested. They have demonstrated an alternative political force. Do you think political "powers" they understand the damage they do to society as a whole - made up of two kinds - approved by subtracting non-participation, but the political will to free thought and independence of women?

will be disastrous if you start, as they are accustomed to think that we must give, yes, two or three more seats somewhere. To avoid distortions, we must strengthen the awareness of the showdown that - without that we wanted was a test of strength - we have given.

front of the state of bankruptcy of the government there was a party, a trade union, a national association which has launched a protest across the country in all squares in defense of principles. Even abroad were echoed by women only. Even in Mozambique. Even with the flag ....

Only women have shown courage and political alternative. The word "dignity", resounded in every city, is the term which the Constitution gives meaning to citizenship. The protest was not covered by the generic ideal value, but one that involves the whole person, also the body. In fact, no one can ever regardless of the body, of which the male is without value and take it as that used in the competition, including military, sports, interpersonal relationships, even in love. Many men have expressed the dignity of women: "I do not ever like Berlusconi," said (but someone silently envied him), without realizing that much more than that of women was humiliated their body. Despairing that almost no one realizes this: women can not replace them in the defense of their dignity. If we exclude this awareness for both genders, the sale, which is only that the offense would sell for money rating policy or membership.

The friends who, from within the community of women, respectable women were afraid of discrimination against women Permal will be realized to be off topic: it was time to "do politics in women, not discussing whether the free choice sell sex (or organs for transplant). Although neither the body of the individual - the individual - not the metaphor of the social body, the "body of laws," of 'habeas corpus are good: in itself, however, still contain the full human sense because regardless of the meaning is not strictly abstract term. These bodies also require a cure. Mite, in responsibility.

Another figure to be reported, not without connection to the body, is the intuitive communication that has resulted in the organization. E 'enough for a slogan ("If not now when?") In each city to achieve a minimum of understanding about time and place of meeting and women have come, wherever in advance and without ID cards policy. Cross. Consistent with the objectives.

I always like to take stock of extremes, such as the one Bongiorno (which does not accept that the lawful sale of a designation institutional offices) or prostitutes (who understood not to be discriminated against and have brought their good red umbrellas ) to the nuns. In Rome, a ha preso la parola, ma guardando internet il caso non è stato isolato. Il sito delle comboniane in apertura accoglieva la denuncia delle stanchezze che esasperano le donne: “Stanche di essere più istruite e meno occupate. Stanche di non potersi concedere più di 1,4 figli a testa, per impossibilità di guardare il futuro. Stanche di arrivare sui giornali, quotidianamente, per mesi, ancora e solo per un machismo che pensavano superato. Stanche di essere maggioranza muta. Stanche di firmare contratti di assunzione accompagnati da lettere di dimissioni in caso di maternità. Stanche di sopportare da sole il peso della cura dei familiari. Stanche di dover scegliere tra lavoro e famiglia per colpa di uno Stato assente. Stanche, indignate, ma ancora una volta forti e in piedi, a mostrare l’autorevolezza di un genere che nel quotidiano sceglie tutti i giorni strade forse normali, comuni, ma di una dignità impagabile che oggi, più che mai, deve mostrarsi. Mostrare il volto migliore di un’Italia che resiste e che necessita la faccia di ciascuna di noi.”

Non aggiungono “stanche di questa chiesa governata da uomini che non tengono in conto la dignità delle donne ma neppure la propria, compromettendo le ragioni di una scelta religiosa per brama di denaro e potere oppure ricusando di assumere il corpo nel concetto anodino di persona”. Ma lo diciamo noi, per reciprocità intuitiva.

Giancarla Codrignani, docente di letteratura classica, journalist, political scientist, feminist. Member for three terms

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And for Valentine's Day, keep emotions in decoupage tray and "The art of listening to the beats of the heart"

's so I see two people who love each other, close together in time of need, ready to collect their forces to deal with the weight of adversity, perhaps with a smile, because together is better, especially if to guide us on this journey is the compass of the heart ....

"We must learn to understand the essence of things, their essence, and to do this there are more eyes d ' hindrance than anything else. lead us to distract us, and we let ourselves be blinded. Those who trust their eyes too neglects the other senses, and understand not only the ears or nose. I'm talking about that organ that is within us and for which there is a name. Call it the compass of the heart. "

From" The art of listening to the beats of the heart "of JAN-PHILIPP SENDER

A wonderful love story in the background Magic of Burma

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Women only phenomenal!

Keep in mind that the skin makes wrinkles,
hair turn white, the days turn into years ...
But what is important does not change;
your strength and your conviction does not have age.

Il tuo spirito è la colla di qualsiasi tela di ragno.
Dietro ogni linea di arrivo c'è una linea di partenza.
Dietro ogni successo c'è un'altra delusione.

Fino a quando sei viva, sentiti viva.
Se ti manca ciò che facevi, torna a farlo.

Non vivere di foto ingiallite…
Insisti anche se tutti si aspettano che abbandoni.
Non lasciare che si arruginisca il ferro che c'è in te.

Fai in modo che invece che compassione, ti portino rispetto.
Quando a causa degli anni non potrai correre, cammina veloce.
Quando non potrai camminare veloce, cammina.
Quando non potrai camminare, usa il bastone.

Però non trattenerti mai!!!

(Madre Teresa di Calcutta)

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Honey, energy and a pinch of salt in jars to decoupage ... as in life! My

Potevo perdermi l’occasione di recuperare questi contenitori da cucina, originariamente a bright color in a matte aluminum tramutatosi then stained?

So here is my new pots with three ingredients, coffee, sugar and salt, essential ingredients in the kitchen as in life where we often have to cope with all the energy that we have challenges every day, but you can not miss the sweet, winning that leaves even the wounds heal, and what about that bit of salt that makes everything we do different and unique, especially when the salt there we also "pumpkin"?

We women already possess the ingredients that make us unique .. we forget ...

And speaking of women with for brains, a welcome to a new blogger on the internet that certainly impresses with its recipes , has just Started this adventure, but ... you should keep an eye on his blog because ... you begin to set the table!

http://grace-adamangiare.blogspot.com/

Greetings my friend, I wish you the success of Julie and Julia!

http://www.youtube.com/watch?v=dywx7K3lnuI

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Puglia on tile

The glow of the houses and clothes hanging in the sun, clear skies and subdued noises interrupted only by mark the time in the silence of "Controra.

The intense flavors and aromas of Puglia, the "I" Puglia ...

“L’orto del Paradiso” è un romanzo di Rosa Giannetta Alberoni,   una storia d’amore ma non solo, sullo sfondo del suggestivo paesaggio delle Isole Tremiti da cui affiorano luoghi densi di mistero.

Un libro che riesce a risucchiarti nella sua trama dove presente e passato si intersecano tra intrighi e passioni sullo sfondo della guerra Napoleonica.