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ITALY Greetings!

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With decoupage old cards back to relive the past in the present ..

Among my childhood memories I have imprinted in my mind the image of my grandfather, who was playing cards with friends in what is called the south " cellars, places like you would call today "aggregate" in a way similar to the bar, but unlike these were attended only by men and where the only drink served was the wine.
I still remember his smile when I look out the door to greet him ... glimpses of Sunday's Italian past that I wanted to revive the mouse pad ..

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Sunday of rain? No problem, restoring old scarves and necklaces made accessories for my new wardrobe!

"I'm singing in the rain ..." sang in an old Gene Kelly movie, but a rainy Sunday a bit 'sad is not it? And I was looking in my closet already hoping for a spring clothing .. but ... look here look there, I came across the old scarves, which are not to be thrown away, but I certainly do not seem very current ... and then that necklace, how many memories, just throw it sorry, it absolutely not! So what? But I make a new no? Few knots here and there and voila .. ..... now I can even sing I'm singing in the rain, just singing in the rain ....

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For us women

Women
of Mother Teresa of Calcutta

Keep in mind that the skin makes wrinkles, hair becomes white
,
the days turn into years ...
But what is important does not change;
your strength and your conviction have no age.
Your spirit is the glue of any spider.
Behind every finish line is a line of departure.
Behind every success there is another disappointment.
long as you're alive, feel alive.
If you miss what you were doing, go do it. Do not live
yellowed photographs
insist ... even if they expect dropouts.
not let it rust the iron in you.
Make sure that instead of compassion, take you over. When
because of the years you can not run, walk fast.
When you can not walk fast, walk.
When you can not walk, use the stick.
But do not hold back ever!

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and Carnival Ambrosiano a large traffic of smiles with "Milano Clown Festival!

And Milan is preparing to celebrate the last day of Carnival .

hope for a few hours to forget all the problems that plague this city, thanks to this wonderful initiative of "PIC Emergency Clown" in Milan because we laugh and give love, siamo o non siamo la città " cont il coer in man?"

http://www.milanoclownfestival.it/

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Dear friends INPUNTADIPENNA


reminded everyone of the meeting of Tuesday, March 15




20.30

(The workshop will be led by Adrian and Joan)


NOT NON!

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Women
I do not need money.
I need to hear
of words, carefully chosen words, these thoughts
of flowers, roses such admissions,
dreams that inhabit the trees,
of dance songs that make the statues,
of stars to murmur ' ear
lovers ... I need to poetry, this spell
burning heaviness of words that evokes emotions
gives new colors.

Alda Merini

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SILK

Dear all


I suggest a visit to the exhibition "The Way of silk meet in Verona" at the Public Library (Via Cappello) where an exhibition of the works, not in competition, molto belle e particolarissime,
a mio parere si distinguono, per originalità le creazioni di Anna Tosi, titolare del laboratorio di fiori e componenti di arredo in tessuto “Pagliani e Brasseur” ...(dove ho lavorato molti anni fa....se ricordate”Fiori di seta”)
Vi assicuro vale una visita, la mostra sarà aperta fino a domenica 13.

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BENEDETTA TOBAGI

Care tutte,

vi ricordo la lettura del testo di Benedetta Tobagi, un libro denso, impegnativo per la ricerca storica che ci offre, ma anche carico di poesia, di emozioni. Un lungo racconto che, per gli anni che attraversa, si intreccia con il nostro vissuto e we relive all the complexity of the years of lead.

invites you to linger over those words, passages, words that will resonate more within, and then talk about it together. Best wishes, corinna

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And while you begin to dry clothes in the sun .... the old basket is inspired look!





PRIMA

 E' proprio vero, i panni sporchi si lavano in casa, ma lava oggi lava domani la povera cesta fa intravedere i segni del tempo, che faccio, la butto? Nooooo!
brush in hand I begin my little restyling. A basic primer, a color e. .. quietly I try to home something to give that extra touch and voila fake leaves (the bottom is not a drama if they take off some bouquet ...).
I know recovery can become a disease .... but my chest has rediscovered his youth!

AFTER

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"SISTERS OF ITALY"

Sisters of Italy
lift our heads
offenses furious
shall we say ENOUGH


Siam
little present in textbooks, but
HISTORY do
if ribelliam.


Sisters of Italy
lift our heads
offenses furious
shall we say ENOUGH.


go down to the square
show his face
we are beautiful and powerful
and obedient.


We Revolution
imaginatively
we women are
We want to hear a lot of dignity.


Sorelle d'Italia
è ora il momento
abbiamo coraggio
UNITE NOI SIAM.


Le donne di: "Se non ora quando", in piazza Brà per la festa della donna


(Betty)

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1861

I PITTORI DEL RISORGIMENTO

Francesco Hayez La meditazione 1851

Faustino Joli Il combattimento del 31 marzo 1849 in via delle Consolazioni 1849

Un’interessante lettura degli eventi e dei sentimenti che hanno attraversato gli anni della conquista dell’Unità d’Italia.Una retrospettiva che racconta non solo le battaglie ma anche gli aspetti più strettamente ideali e popolari di una storia d’Italia fatta dal popolo e nata dalla rivoluzione intellettuale e culturale the end of the ancien regime.

1861 The painters of the Renaissance has recently closed its doors to the stables of the Quirinal , a tale emblematic of a crucial time in our history, told through the works of major artists such as Francesco Hayez , Joseph Molteni, Domenico and Jerome Induno, Eleuterio Pagliano, Federico Faruffini Giovanni Fattori, Silvestro Lega, Edward Borrani, Michele Cammarano and Joseph Sciuti. The myth of a civic engagement as told by a history painting that tells the story of the men on the battlefield and the emotional intimacy of the home and family. The idea of \u200b\u200ba united Italy "had accompanied the Italian political thought from Dante on" with Napoleon and the concept of nation was rooted in the conscience, eating in the nineteenth century of civil passion and the "desire for freedom" values \u200b\u200bof those romantics who led the Risorgimento and the crucial events of the period between 1859 and 1861. Events narrated by the sign and the colors of those who had lived those experiences in the field, with notes and drawings documenting the climate bloody and passionate, as Jerome Induno who had participated personally in the shipment of Crimea. A painting that illustrates and documents in a literary realism tones big business and the "human misery" by providing the key to a narrative close "to the appearance of reality" and the popular dimension that "rose to prominence in history." A painting filtered by patriotic ideals with obvious purpose of education to the masses to witness a national identity to which art offered its tools, as happened with the Italian National Exhibition opened in Florence in 1861. A humus which nourished the poetic art but also music, theater and literature to build the awareness of being in the Italian people. The theme of exile and abandonment in the light of continuous migration, expressed those feelings of gloom and uncertainty due to geographic mobility and the fragility of the posting. Francesco Hayez interpreted the insecurities of these events in The people of Parga who leave their homeland (1826-1831) recalling the sad events of a political history that had brought the city to ask the British protectorate on the threshold of the end Napoleonic empire, which will then be revoked protectorate because of geopolitical reorganization of Europe during the Restoration . In 'work Meditation (Italy in 1848) , (1851) reflection falls on the climate, but strong-willed disillusioned of an Italy lost and defiled by the violence, represented by the figure of a woman strong and sensual, disgraced in the body and strong in the religious consciousness. An image that recurs in hopes Venice (1861) by Andrea Appiani jr. in the symbolic representation of a city betrayed in the guise of a woman humiliated and broken. Many references to small and great stories, from The Return of the sailor (1866-1870), Hearing the news of the day (1864) and the Descent d'Aspromonte (1863) by Jerome Induno, to Portrait of Giuseppe Garibaldi ( 1861) of Silvestro Lega, the refined and intimate atmosphere it home The tale of wounded (1866) and the Letter from the field (1859) of G. Induno . The bloody visions of Faustino Joli, the popular and revolutionary realism Michele Cammarano and Napoleone Nani and patriotism and theatrical narrative Giovanni Fattori.

Written by Antonella Colaninno

Edited by Fernando Mazzocca and Carlo Sisi in collaboration with Anna Villari.

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March 8 and memory

Oggi, 8 marzo...mi ricordo......
mi ricordo di tutte le belle iniziative vissute insieme in questa ricorrenza. Eventi, rappresentazioni,reading, pubblicazioni....e tutte noi belle,attive, entusiaste. Provo un po' di nostalgia. Consider a sabbatical in 2011, what do you think?
A big hug, Corinna

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March 8, 2011 - More than yesterday and less than tomorrow, take back our dignity!

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education in beauty and poetry

"Everyone says goodnight at night:
I say good night when it is day.
I said goodbye who goes away.
answer yet goodnight, I will.

Why the gap, that is is the night, and the presence
and nothing but the dawn
that color of purple in the sky called
morning.

EMILY DICKINSON

"And 'this immortal instinct of beauty that makes us see the world and all its beauty as a reflux, as a match the sky.
The unquenchable thirst for all that is beyond, and reveals the life, is the most vivid proof of our immortality.
With poetry and through poetry, music and through music, the soul perceives the light that shines beyond the grave, and when a perfect poem gives birth to tears, these tears are not the sign of excessive joy, but rather a sign of exasperated sadness, a need nervosa, a kind of exile in the imperfect, who longed to have suffered in this world, a paradise found "

C. Baudelaire (Taken from the infinite in the heart)

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March 8

Hello to all, unfortunately
the 8th of March are engaged in a seminar.
Pensatemi as I think, a hug, Corinna

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(Picasso)

The poems should always be reread,
read, reread, read, put in charge;
each reading makes charging ,
are devices for charging effect;
and sense builds up, ringing
particle waiting
sighs withheld
ticks from inside the Trojan Horse.

From Valerio Magrelli, "Captioning for reading a newspaper," Einaudi

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POETRY MEETING - ARCI

take stock: FIRST WE WOULD pie Meat, salami and ...
NOT WANT TO WORK, PLEASE TAKE THIS INTO ACCOUNT. DIVIDEND
we are available and what to do.
PROPOSE to meet at 19:15, dinner is at 21:00 Screening of "WE WANT SEX WITH VISION-I also open to other members of the Club. HAVE YOUR SAY

Giovanna

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Unfortunately, we can not be present on the evening of eight in March.
Have a good party with a hug.

Adriana and Betty

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We are on the evening of Tuesday 8 to celebrate?

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PRIZE FURLA 2011

The Premio Furla curated by Chiara Bertola , is an Italian competition for young people to support creativity artists in contemporary art and fashion design. Born in 2000 in collaboration between Stampalia Onlus Fondazione Querini Venice Foundation Furla Bologna Foundation Carisbo and MAMbo , Museo d'Arte Contemporanea di Bologna, reaches the its eighth edition. An operating system that involves artists, curators, critics and museums, supporting projects of the five finalists this year are housed in the splendid setting of Palazzo Pepoli. "The prize now stands as a milestone for the comparison with other countries by many Italian artists, thanks to the ability of its organizers to set up an institutional network of contacts with art critics, curators, museum directors and art centers of international prestige. " A project wide-ranging interaction between creativity and territory, by promoting contemporary Italian culture in its various expressions. Among the finalists: Alis / Filliol, Francesco Arena, Rossella Biscotti, Matthew Rubbi, Marinella Senatore . Alis / Filliol alias Andrea Respino (Cuneo, 1976) and David Gennarino (Turin, 1979) have been working on an artistic mark on two of their artistic research on a change of perspective that leads them to work from ' inside of the sculpture. They talk about the idea of \u200b\u200bde-finish of the social body of work that sculpts the economic time, observing the characteristics of the sculpture "movements of production and exchange of goods" in the relationship of the individual with the "social landscape". ; Francesco Arena (Brindisi, 1978) creates his work in accordance schemi stilistici vicini all’Arte Povera, cercando all’interno dell’apparente impersonalità del linguaggio visivo la memoria di una storia personale o di una vicenda storica collettiva. Ciò che emerge non è solo il valore reale e narrante di un oggetto ma l’idea astratta di un concetto di tempo e di spazio relativo alla stessa storicità degli oggetti, come i volumi e le distanze. Per questo, le sue opere concettualmente attraversano tutta l’Italia da sud a nord ripercorrendo i fatti di cronaca che hanno segnato i luoghi e le persone trasformandone i destini e creando dei miti. Rossella Biscotti (Bari, 1978) riflette sul valore performativo della memoria e del monumento e sull’importanza di “un’estetica relazionale” dello spazio della memoria stessa, considerando “la conversazione come un momento in cui la storia, personale e collettiva, viene condivisa tra due persone”. Matteo Rubbi (Bergamo, 1980) interviene sulla centralità dell’individuo nei processi di “riflessione sociale”. Nelle sue “azioni collettive”, il pubblico rappresenta l’attore sociale della performance dove luoghi anonimi diventano gli spazi comuni della collettività. L’incontro tra spazio e soggetto svolge una ricerca sul valore della singola identità rispetto a quella collettiva e solleva una riflessione sui significati di una dimensione umana “da riconquistare e da costruire”. Marinella Senatore (Salerno, 1977) indirizza la sua riflessione artistica sul concetto partecipativo dell’arte (al punto da coinvolgere per le sue performance un numero di 1200 persone), come valore di aggregazione che risveglia la coscienza sociale, l’idea di appartenenza nella comune condivisione dello spazio. La dimensione pubblica diventa spazio fisico e partecipativo e luogo di interazione di esperienze visive ed umane.


Antonella Colaninno



Comitato scientifico
Chiara Bertola, Giacinto Di Pietrantonio, Gianfranco Maraniello, Viktor Misiano.
In collaboration with
Arte Fiera, Bologna

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And for the World Day of slow ... I run to pick apples ... naturally stencil! "

Ops looks a bit 'what was installed under my tent!

A few slices of apple and pear, very nearly the pick, better not, cost me a bit 'hard to lie to make a stencil, but the area required to recover this position .

A French door in the kitchen a bit 'damaged in some places (unfortunately for me ... in the lower part) think that you think back, brushes in hand, a bit' di primer come base, un fondo bianco e ….un po’ di frutta a stencil, il tutto eseguito mooolto lentamente, per festeggiare degnamente questa giornata , ma d'altronde quando ci occupiamo del nostro hobby….è sempre il 28 febbraio!

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So are you there? Straight dall'attimo still ajar?
The network had only one hole, and you from there?
There is no end to my astonishment, my silence. Play

beats me how strong is your heart.


Wisla Szymborska

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met Raffaele Licinio AUTHOR: Medieval Castle. Puglia and Basilicata: FREDERICK II AND THE NORMANS TO CARLO ID'ANGIO '.

Wednesday, March 2, 2011, at 18:00, at the North Wing of the Palazzo De Mari in Acquaviva delle Fonti present volume Medieval Castle. Puglia and Basilicata: FREDERICK II AND THE NORMANS TO CARLO ID'ANGIO '. (Edizioni Characters Furniture, 2010).

revisit together author Raffaele Licinio, professor of Medieval History at the Faculty of Humanities of the University of Aldo Moro Bari, the phases of battlements that have affected the South during the late Middle Ages in an international perspective. A phenomenon in progress before its time, which involved a multifaceted dall'interculturalità territory.

A book that offers food for thought in light of the debate on the value of integration, the idea of \u200b\u200bterritory, with its geopolitical issues, economic and bureaucratic, in a 'heavy loss of identity in Italy.

medieval castles. Puglia and Basilicata: from Norman to Frederick II and Charles I of Anjou (movable type editions) is the first in a series entitled Questions of History, directed by Raffaele Licinio and Francesco Violante with an authoritative presentation of Joshua Musca. A volume of historical research on the castle system that affected southern Italy during the Middle Ages to regain the historical dimension of events from the cliché of a false mythology castle.

The history of the fortifications is the witness of the gradual unfolding of historical evolution in which there was a cultural and political change that characterizes the structure of a new company. The fortifications are a symbol of an anthropological value that contains a thought economic, political and religious. A system of power which engages in the development of an identity that is built on a feudal system and the growing power of a church with the Latin clergy. The late medieval fortification in the South plays a strategic and political control of the territory, a real form of government and management of highly centralized feudal society. A place where the multifunctional defensive needs are combined with those of population and agricultural use. The military function of battlements defended the agricultural economy of the territory, "The securitatis quies" factor is strong acceleration of "facere castles.

But when and why and who created the castles were the castle? There was a real castle bureaucracy? The fortification is historically associated with the crisis of Byzantine rule and the subsequent Norman. With Roger II meet in one kingdom all the Norman conquest of southern Italy, the fortification becomes a system of political control and strengthening of the monarchy, by Frederick II, will be the instrument of a highly centralized power. The fortification is a process that comes with military and defensive purposes but represents a phenomenon of regional planning, management of its population and its agricultural colonization of the Byzantine logic of battlements responded to the needs of defense and promotion of productive land and their people. By Norman fortification affirming the idea of \u200b\u200bcentralizing power antiurbano that reprimerà autonomist pressures cities. Along these lines, will continue the Swabian castle building in Castel Del Monte is the symbol of this ideology of power. With the Angevin Charles I and Charles II will maintain the tradition of Norman and Swabian castles and strengthen the structures on the defense plan. The United Angevin is a feudal state that structures with less rigorous relations between central and peripheral governments, including the king and barons Ultramontanes who want to make their own fiefdoms a territory reserved. The central government of Frederick II will become a feudal monarchy and will be broken up between the French barons who built their own fiefdoms in strengthening the system further fortifications defensive castle.

Written by Antonella Colaninno

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Strasbourg on tile

Ed ecco come con la sua prima tegola (tra l'altro  molto bella, brava!!!), la mia amica Grace  descrive il viaggio nella sua città natale, emozioni che ha voluto immortalare su questa tegola da fiaba...

"The Streets of Strasbourg are a succession of typical Alsatian half-timbered houses, which have given me charm and nostalgia.

I walked those streets with the memory of a time lived with a child's eyes.
To my dear friend Lilian with a smile I said I felt like an immigrant who was returning home after several years. "

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ANY CASE THE HEAVENS ARE THE SAME

The heavens are the same.
Blues, grays, blacks, are repeated over

orange or stone:
They cancel the stars are so distant

distances in the world. If we want
join
never look ahead:
full of deep,
of dates and alloys.

abandoned and floating on the sea or on the grass,
still, face to the sky. You'll feel

slow decline, upward air
in life.
And we'll meet beyond the differences

invincible, sand, rocks
, years, only now,
swimmers celestial
survivors of heaven.

Pedro Salinas